Netflix

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In surprising news that’s sending ripples of excitement around the world in the global ARMY fandom, BTS is reportedly reuniting for a brand-new K-drama project on Netflix— this time with a killer time-travel plot twist. After years of pursuing individual careers and serving their mandatory military commitments, all seven members of the world-famous boy band are apparently coming together for a scripted series that includes all the best bits of science fiction, heart, and Korean youth identity.

This will mark the first full-group collaboration since they began enlisting for military service, starting with Jin in December 2022. Now that the last members are nearing the end of their service by 2025, fans have been speculating about their reunion, most expecting a music comeback. But a Netflix K-drama? That’s something no one saw coming.

Sources close to the production reveal that the working title of the drama is “Beyond The Stars”, and it’s being developed by one of Korea’s top sci-fi drama creators, known for blending cutting-edge visuals with deep emotional storytelling. What’s more intriguing is that each BTS member will reportedly play a version of themselves, but in an alternate timeline, making it a meta-narrative that dances between fiction and reality.

Set across different decades, the story begins in modern-day Seoul and then slips into 1970s Korea, a future version of Seoul in 2090, and even an alternate present. The members discover an unexplainable phenomenon that gives them the ability to travel through time—but at the cost of some choices made along the way, and relationships that are tested and challenged based on their loyalties and identities, and dreams. Even though it is meant to be a K-drama full of fantasy, the main message is the essence of human experiences: friends, sacrifice, changing the future, and not erasing the past.

It’s not the first time BTS members have dabbled in acting. V, also known as Kim Taehyung, appeared in the historical drama “Hwarang” in 2016. Jin, too, has long expressed interest in pursuing acting after BTS, and RM has been involved in voiceover projects and literature-based content. But this will be the first time all seven members—RM, Jin, Suga, J-Hope, Jimin, V, and Jungkook—share the screen in a full-scale drama.

Netflix has not officially confirmed the project; however, sources close to the project are claiming that the streaming platform is making a sizable financial investment, with the global release set for late 2026 or early 2027. With the worldwide popularity of BTS, the series will be released in over 190 countries, with subtitles in over 30 languages after its release. Merchandising, behind-the-scenes documentaries, and even interactive fan content are also being planned as part of the promotional strategy.

The buzz began when a casting sheet leaked online in mid-June, mentioning “Project 7: Time Paradox” with code names that matched the BTS members’ initials. Soon after, several Korean entertainment journalists spotted BigHit staff entering the Netflix Korea office multiple times in the past month. While both Netflix and HYBE (BTS’s parent company) have remained tight-lipped, fans have already launched online forums, theories, and fan art imagining the members in futuristic and retro costumes.

Social media has been ablaze with excitement. Hashtags like #BTSNetflixDrama, #BTSReunion2026, and #BeyondTheStars have trended in multiple countries. ARMY members from Seoul to São Paulo are speculating about which member will travel to which era, what the emotional core of the story will be, and whether the music of BTS will play a role in the series’ soundtrack.

Overall, beyond the fanfare of the show, there is a lot that is at stake with this project. The BTS members are coming back from the military to re-enter the public realm, and this drama and the movie also represent a public re-entry into the hearts of fans who have been waiting for many years. To encapsulate K-pop stardom with the kind of narrative storytelling that was above average feels like an interim at its best in Korean entertainment, and another chapter where the fiction of K-pop and the fandom world meet what the audience takes away from the show, and a new standard in music and drama.

If it is a success, “Beyond The Stars” might reimagine how a global pop icon can engage with their audience in deeper and wider ways outside of traditional concert experiences and album launches. Meanwhile, in the big picture for Netflix, it is a strategic win that helps cement BTS’s unprecedented fanbase across the globe while widening their engagement with Asian storytelling.

Listen, whether you’re an ARMY or a casual drama viewer that occasionally stops into Netflix to watch something that is not a reality series, one thing is for sure – BTS’s time-travel K-drama is going to be more than just another K-drama. This will be a special cultural moment in pop culture history, and this time, it won’t just be another trip back in time; it will be a collective effort moving forward.

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Movie

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Fasten your seatbelt movie maniacs! Brad Pitt’s high-octane movie “F1: The Movie” just dropped its mid-credits bombshell and we’ve got the scoop.

As the cinematic ride was concluding, just as the screen went black and we thought it was over…bam! We drop into the Baja, California desert, where Sonny Hayes (a.k.a. Pitt), all sandy and cocky, strolls up to an off-road racing crew and calmly says,

The next cut is Hayes ripping the sand dunes in a Baja buggy with Zimmer’s famous score thumping in the background. It’s a clear signal: Hayes is still hungry for action – or maybe it’s a lead for the future.

Is the PCH (Post-Credits High-octane) leading us into “F1 2”? Not quite. Analysts are saying the Baja tease is an open door – not an outright sequel request. Although with the film’s high budget of $141 million and a focus globally on F1… Hollywood might be more inclining to go the more familiar route: another F1 racing season, Damson Idris going through the motions of the mentorship arc with the budding young star, or perhaps a championship matchup.

“I’m not gonna hang my ass off airplanes,” he joked about future collaborative projects with Cruise, so expect terrestrial excitement and not an aerial stunt.

Kosinski said a sequel depends on only one thing: audience reaction. As Jerry Bruckheimer explained:

“That’s up to you. Talk us into making another one.”

So right now? We sit on the taut edges of our leather seats with the desert dust settling, and we can’t wait to see the next flag drop.

for more updates, visit Dramawow.com

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jeff

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Jeff Bezos and Lauren Sánchez have arrived in Venice for their extravagant three-day wedding celebration.

Amazon’s founder, Jeff Bezos, and his fiancée, journalist and pilot Lauren Sánchez, have formally arrived in Venice, Italy, for what has been referred to as one of the most extravagant celebrity wedding events of the decade.

The couple touched down in the world-famous city, starting their three-day wedding extravaganza in a celebratory atmosphere unlike any other venue, as the beautiful historic canals and amazing gothic architecture will be the background for luxury.

Insiders confirm that the large-scale celebration, which is projected to cost more than 40 million euros, will consist of several high-profile events happening from 26-28 June.

The guest list includes several global entertainers, business people, and political figures, including Oprah Winfrey, Kim Kardashian, Bill Gates, Leonardo DiCaprio, Eva Longoria, and perhaps Elon Musk.

Bezos and Sánchez reportedly flew in on a private jet and were escorted to their luxury yacht Koru, which is anchored nearby and valued at $500 million.

The yacht will be their home during the wedding week. More private yachts and over 90 private jets are set to arrive during the week, beginning a high-profile, star-studded affair.

This couple’s wedding is more extravagant than most royal weddings. Security measures have been heightened all over Venice, with significant areas of the city expected to be closed to the public during the events.

There are three themed wedding celebrations planned. The first will be a welcome party held in the beautiful cloisters of the Church of Madonna dell’Orto in Cannaregio. The second event will be the wedding ceremony.

This will take place the next day, June 27th, on the island of San Giorgio Maggiore, in a basilica that overlooks Venice.

The last day, June 28, will be a huge party at the Venetian Arsenal, a former naval ship property now repurposed cultural space. Access is limited in the city and requires lifting the bridges to make the event truly private and secure.

There will be some singing and not just speeches. Italian singer Matteo Bocelli, the son of opera great Andrea Bocelli, will perform at the wedding event.

Economic benefits are expected to be a €20–30 million windfall for local businesses through tourism, catering, hotels, and transport. Bezos and Sánchez have donated €3 million to environmental and education organizations, including CORILA, Venice’s UNESCO office, and Venice International University.

The mayor of Venice, Luigi Brugnaro, praised the couple for selecting Venice for hosting and said events will be run prudently to respect the city’s singular character

In addition to entertainment and political elites, there are prominent tech figures like Bill Gates, and possibly Mark Zuckerberg, and Elon Musk on the guest list.

This wedding is more than a union; it’s a spectacle, from floating gala evenings to a dramatic basilica to fortified shipyards.

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Beyoncé

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Beyoncé stuns in a custom Manish Malhotra outfit decorated with 10,000 Swarovski crystals, blending Indian tradition with global glam.

Global sensation Beyoncé made waves in the fashion world with a sparkling Indian couture look.

Global superstar Beyoncé has once again demonstrated why she is Queen Bey of not only the music scene but also the world of fashion. Beyoncé utterly shocked the world with a dazzling outfit designed by India’s fashion genius, Manish Malhotra.

The glimmering gown was aesthetically pleasing on its own, but beyond how chic it looked was the fact that it was embellished with over 10,000 Swarovski crystals, and it felt expected by the typical standards set by other outfit choices from the singing legend.

Beyoncé wore the custom piece at a star-studded, private event in Europe. And the moment the photos were posted to social media, everyone jumped into a discussion frenzy, both fans and fashion critics alike.

The outfit, which was a mix of traditional Indian craftsmanship and modern design, the outfit was glamorous in a golden hue, featuring embroidered accents with thousands upon thousands of hand-placed Swarovski crystals catching light reflecting at every angle.

The gown-like silhouette was in combination with a dramatic cape, giving it a royal touch. Beyoncé looked every bit like a golden goddess, and the fashion world couldn’t stop talking about it.

Manish Malhotra is recognized as one of the best designers in India, known for dressing Bollywood celebrities and brides. But in recent years, he has also made a significant international mark.

By choosing to wear one of his designs, Beyoncé once again has reflected the light of the world on Indian fashion.

Malhotra expressed his enthusiasm on Instagram, writing, “It was an absolute honor to design for the legendary Beyoncé. The look is a tribute to Indian craftsmanship and world glamour.” He also posted a behind-the-scenes video of his team creating the outfit, which gave a close look at the distinct embroidery and handwork.

Beyoncé has always embraced fashion to celebrate different cultures, and this look was no exception. By wearing an Indian designer outfit, she continued to express her love of global style and culture. The crystals, embroidery patterns, and colors were all a gorgeous combination of East and West.

By wearing a Manish Malhotra piece that was encrusted with 10,000 Swarovski crystals, Beyoncé did not just make a fashion statement; she made a cultural statement.

Beyoncé reminded us all that fashion is universal and that true beauty comes from the craftsmanship, tradition, and audacity of design.

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Broadway

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The streets of New York are humming with electricity. Billboards flicker. Theatre marquees await their queen. And somewhere behind a velvet curtain, a revolution in music and theatre is preparing to erupt.

Broadway has never seen anything quite like this.

In a move that feels more like a dream than reality, Taylor Swift — the 14-time Grammy-winning songwriter, pop icon, and storyteller of a generation — is stepping onto the Broadway stage. Not as a composer, not just as a muse, but as the lead star of a full-fledged musical… based entirely on her discography.

The musical — still shrouded in mystery and enchantment — will chronicle the sweeping journey of Swift’s musical evolution. Each act, each scene, each moment — infused with the emotional intensity and poetic lyricism that has turned her songs into personal anthems for millions. From heartbreak and revenge to rebirth and romance, her eras will come alive with raw, cinematic energy, stitched together by a script written to stir the soul.

Sources close to the production say the show will feature original choreography, immersive set designs reflecting iconic “Eras” visuals, and, of course, live renditions of the songs that have defined the past two decades. But the biggest surprise of all? Swift herself, front and center, commanding the stage like never before.

Can you imagine it?

The curtain lifts, and there she is — Taylor, bathed in stage light, whispering the first lines of “Enchanted” into a hushed, trembling auditorium. A string section swells. The stage turns crimson for “Red.” Dancers spin through dreamlike forests for “Folklore.” A cruel summer burns beneath neon moons. And in the final act — a thunderclap of gold, glitter, and triumph — “Karma” brings the house down.

What started as a conversation between Swift and a prominent Broadway producer has quietly evolved over two years into one of the most ambitious crossover projects in entertainment history. Script development reportedly began during the pandemic, when Swift was revisiting and reimagining her older works. The introspection sparked something theatrical. The storytelling demanded more than a song — it wanted the full grandeur of the stage.

“She’s always been a theatre kid at heart,” says an insider. “Her concerts are Broadway productions already. This was inevitable.”

Indeed, Swift’s obsession with theatre isn’t new. Before she became a household name in music, she was performing in youth theatre productions in Pennsylvania. She once dreamed of taking the Broadway route before Nashville called. Now, fate has brought her full circle.

The production is being helmed by Tony Award-winning director Marianne Elliott, best known for Company and War Horse. Choreography will be handled by Sonya Tayeh of Moulin Rouge! fame. Rumors swirl about special appearances from surprise guests — past collaborators, fellow songwriters, maybe even a few exes woven into the story as dramatic characters. Nothing is off-limits.

And the name? Tentatively titled “All Too Well: The Musical”, the show promises a journey through love, loss, reinvention, and resilience — all told through the lens of a woman who has lived her life in the spotlight, with ink-stained hands and a fearless heart.

Broadway hasn’t just welcomed Taylor Swift. It’s preparing to be transformed by her.

Opening night is expected in spring 2026, with previews rumored to begin earlier at the famed Shubert Theatre. Tickets — if you’re lucky enough to get one — will be the hottest commodity on either coast. Scalpers are already circling. Swifties? They’re ready to camp outside.

But more than hype, more than headlines, this moment marks a profound shift in the cultural landscape. Pop is meeting stage. Music is becoming a myth. And Taylor Swift is no longer just the soundtrack of our lives — she’s the main character, the narrator, and the thunderous standing ovation.

As the lights dim and the overture begins, one thing is clear:
This isn’t just a musical.
This is a movement.
And Broadway will never be the same again.

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Cyrus

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Paris, June 19. The City of Lights got even brighter when Miley Cyrus strode onto the Cowboy Carter stage at Stade de France—equal billing with Queen Bey. And did we mention the surprise factor? Not only were they performing “II Most Wanted” live, their Grammy-winning duet.

Miley in Alexander McQueen and Bey in gold chainmail, vibing together. Bey introduced Miley: “I could not do it without this young lady…give it up for Ms. Miley!” The crowd went wild. Cyrus–all smiles–commented later: “Thank you B. I will be your shotgun rider for life.”

The friendship dates back: the 2008 Stand Up to Cancer performance started it all. Over a year ago, Miley wrote the song; and now their customary country roots ended with some Parisian fireworks. From Tennessee to Texas to the world–their friendship sparkles.

Social platforms exploded. Clips went up immediately, especially catwalk teasers of Miley backstage, making light: “Little ol’ me showing up in Paris in Alexander McQueen for Queen Bey, what?” Both artists later continued to share sentimental messages on Insta, Miley expressing lifelong gratitude, and Beyoncé adding mutual admiration.

The bottom line is a superstar snapshot of friendship, respect, and shimmer. In Paris, there was an unexpectedly brilliant duo; fans got a forever moment; and that golden duo? They rode shotgun for life.

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Languages

EntertainmentHollywood
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The world of television is about to experience an unprecedented revolution. In a historic “bombshell” that rocked the international community, a Turkish TV show —hidden behind the veil of secrecy and masked by silence — is being dubbed in 70 languages, ready for surprise global drop promotions. No leaks. No title. Just chaos, curiosity, and one thunderous message: Something massive is coming.

This isn’t just a release. It’s a calculated strike. A cultural ambush. And the world? Completely unprepared.

For over two years, this project was hidden behind layers of deception. While the world binge-watched trending shows, a team of Turkey’s finest creators, producers, and artists worked underground. Filming took place in a remote and heavily guarded set in the scenic yet secretive regions of Antalya. Cast and crew lived like ghosts — no interviews, no Instagram posts, not even family visits.

Everything was coded. Actors were given aliases. Episodes were shipped on encrypted hard drives under military-grade protection. Studios in five continents operated like secret cells — Germany, Egypt, South Korea, Brazil, India — each dubbing the series into local dialects in top-secret soundproof chambers. Engineers, translators, and voice artists were paid double, not for their skills, but for their silence.

And yet, no one knew what they were working on.

Inside sources whisper of a show so emotionally raw, so politically daring, and so psychologically thrilling that even those dubbing it were left shaken. A French voice artist confessed, “I thought I was just voicing a character. But I was pulled into something… deeper. I lost sleep. I cried. I questioned my reality.”

It’s been called a political thriller. A love story. A historical epic. A dark fantasy. But the truth is: no one really knows what it is. That’s the genius of it. That’s the danger.

The only clue? A teaser trailer is rumored to drop in a matter of days. Just 10 seconds long. No dialogue. Just a burning crescent moon in a pitch-black sky. And the chilling phrase written in 70 languages:

“We’re coming. In your language.”

Social media is already in meltdown. Fans are dissecting every theory imaginable. Reddit threads have gone feral. TikTok is flooded with speculation videos. Celebrities across the globe — from Bollywood icons to K-pop idols — have posted cryptic emojis. Some say the show is a retelling of a lost Ottoman legend. Others believe it’s a fictionalized story of modern espionage. A few claim it’s based on real political conspiracies that were never meant to see the light of day.

Platforms are at war behind closed doors. Netflix, Amazon Prime, Disney+, Apple TV — all allegedly scrambling to win the rights. Some reports even suggest that the creators might drop the show on all platforms at once. An act of defiance. An act of dominance.

The production is rumored to be the costliest Turkish project ever made, surpassing even Hollywood budgets. But this isn’t about money. This is about rewriting global storytelling rules. This is about showing the world that Turkey has entered the arena — not just to compete, but to conquer.

The drama, the secrecy, the ambition — it all leads to one chilling truth: we’re standing on the edge of a global cultural quake. And it’s Turkish.

Every lover of storytelling, every fan of drama, every viewer who’s ever been captivated by a tale… should be on high alert.

Cancel your plans. Silence your phones. Watch the skies — because very soon, your screen will light up. Not with a title. Not with a face. But with a presence. A force. A Turkish storm.

And it will speak your language.

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Justin Baldoni

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A judge in New York has allowed Justin Baldoni to access private text messages exchanged between chats of Taylor Swift and Blake Lively only if they directly relate to the case of It Ends With Us. This latest ruling has complicated things in the already complex, emotional, and legal entanglements.

Baldoni’s legal team has argued that Lively’s communication with Swift and her husband, Ryan Reynolds, could expose coordination or influence tied to Lively’s allegations of harassment and retaliation on the film set. Justin’s lawyers asserted that these messages referencing Swift as Lively’s “dragon” or protector might offer key insights into the scenes dynamics and internal power plays.

Blake Lively had vehemently denied the relevance of the chats. Her team filed for a protective order branding Baldoni’s bid “purely a tactic for publicity.” They insisted that Swift’s texts had no bearing on the claims of professional misconduct on set and a hostile work environment. However, the judge disagreed and found the request “reasonably tailored” to seek evidence that may support or undermine Lively’s position. Other protective measures will ensure that these messages remain private and are not leaked.

This decision follows a swift judicial marching order, a federal judge already dismissed Baldoni’s $400 million defamation counter suit agaisnt Libely, Ryan Reynolds, and major media outlets earlier this month. This countersuit alleged a smear campaign against him, although most of it was thrown out for lack of evidence.

Baldone being able to obtain text exchanges between Lively and Swift, the stakes have shifted. This legal team examines whether Swift’s communications hold any relevance to Lively’s claims or did Lively’s reference to workplace concerns rallied support behind closed doors. Was Baldoni exploiting Swift’s stature as a celebrity shield?

Lively’s camp continues to argue that involvingSwift is unnecessary and new evidence of strategic heavy-handedness. Baldoni’s side insists they never received any such messages from Swift previously and are entitled to pursue what remains undisclosed.

As next steps, both sides now focus on potential evidence uncovered in Swift’s message history. If relevant threads emerge, they’ll be clamped down under the protective order, kept tightly from public view. The central question is whether these texts will unravel or reinforce the central workplace claims at the heart of this drama. Keep Reading Drama Wow for more dramatic updates.

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family

EntertainmentHollywood
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Modern Family’s child star Aubrey Anderson-Emmons comes out as bisexual.

Aubrey Anderson-Emmons, the beloved ‘Modern Family’ star, has come out as bisexual. The actress, who played Lily Tucker-Pritchett on the hit ABC sitcom Modern Family for 11 years, came out as bisexual on Instagram in a post.

In a comical video, Aubrey is lip syncing to a funny scene from Modern Family with Jesse Tyler Ferguson and Sofia Vergara. When Gloria (Sofia) tells Lily, “You are Vietnamese,” Lily replies, “No, I’m not, I’m gay, I’m gay!” Jesse’s character Mitchell then follows up with, “Honey, no, you’re not gay. You are just confused!”

Aubrey joined in doing her best lip-sync of Lily’s lines, but added a caption on the video that said, “People keep joking so much about me being gay when it’s true (I’m bi).” Then, in the caption of the post, she put “happy pride month to all and all a goodnight hehehe.”

Aubrey played Lily from a young age and became one of the most celebrated child actors on television. Modern Family aired from 2009 to 2020 and received 22 Emmy Awards, 5 for Best Comedy Series.

The show followed three different families linked together through Jay Pritchett. The show was undoubtedly great, with a great cast including Ty Burrell, Julie Bowen, and Eric Stonestreet.

In the show, Aubrey plays Lily, the daughter of a gay couple, Mitchell Pritchett and Cameron Tucker. According to reports, the Pritchett-Tucker family almost had a spin-off that followed the family when they left Los Angeles and moved to Missouri, but later got rejected.

Following ‘Modern Family’, the actress starred in a short film, ‘Tailwinds’. Currently, the 18-year-old is pursuing her passion in music. She has been nurturing her indie-pop music under the name Frances Anderson.

Late last month, Aubrey dropped off her first single ‘Telephones and Traffic’ and is preparing to release her new melody ‘Don’t Forget Me’ on the 27th of June.

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Kaia

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Kaia Gerber and Lewis Pullman’s romance is heating up.

Kaia Gerber, daughter of supermodel Cindy Crawford and businessman Rande Gerber, and Lewis Pullman, son of actor Bill Pullman, were caught kissing at a live concert.

Kaia and Lewis enjoyed a romantic evening together at a Tyler Childers concert at the Hollywood Bowl in LA. The couple passionately kissed, they were sweetly hugging each other, head resting on each other, basically doing a bunch of romantic things in the middle of the show.

The pair was doing their best to fly under the radar. Lewis was wearing a baseball cap, and Kaia was dressed down in black, but their public display of affection certainly didn’t stay hidden.

This budding relationship began to percolate at least as far back as early December 2024, just following Kaia’s breakup with Austin Butler in late 2024.

Whereas Kaia’s previous co-stars (Austin Butler, Jacob Elordi) are in no way dull or crazy, Lewis is described as “grounded,” “calm,” and truly chill.

And the two celebrities’ prowess. In essence, they are nepo kids! A model and actor with actor! They both have adequate explanations of feeling what the spotlight is like, but don’t need to flaunt it! Reportedly, Kaia embraces her nepo-baby status.”

They are enjoying spending time at concerts and theaters together, and keeping it private-ish, but not so private that they can’t share some affection when the moment strikes.

Kaia and Lewis haven’t posted anything publicly, so they are riding the low-key wave. The summer’s biggest surprise celebrity romance is not a big public outing, but rather two grounded nepo-babies quietly vibing in LA and NYC.

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